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Rennie Ellis photographs the self-proclaimed 'Witch of Kings Cross'.
April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.
Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Keith Christiansen introduces the exhibition The Renaissance Portrait from Donatello to Bellini on display at the Metropolitan Museum of Art, New York.
Karen Vickery on Chang the Chinese giant in Australia.
Fiona Gruber investigates the work of Australian painter Kristin Headlam.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Sarah Engledow previews the beguiling summer exhibition, Idle hours.
Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.
Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.
The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.