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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Colin Madigan and Robert Hughes, Canberra, 1982 (printed 2000) David Moore

Three Dimensional

Magazine article by Kate Gollings, 2004

Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.

Captain James Cook, 1837 Nathaniel Dance, William Holl, Fisher, Son & Co London

Rethinking foundational histories

Magazine article by Kate Fullagar, 2019

A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.

Portrait 58 Summer 2017-18

Magazine

Paul Cézanne, Bill Henson and Simone Young, Australian cinema’s iconic women, and Feminist portraits by Kate Just.

Portrait 41 October - November 2011

Magazine

This issue features Kate Beynon, Philosopher Cynthia Freeland, Geoffrey Gurrumul Yunupingu, John Tsiavis & Chris Lilley, UK's BP Portrait Award, Purchasing power in colonial Sydney and more.

David Williamson, 1974 (printed 2001) Gordon Glenn

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Portrait 61 Summer 2018/19

Magazine

Max Dupain's unknown portrait subjects, phrenologist Madame Sibly, Indigenous-European relationships, Thomas Gainsborough and more.

Kate Hattam, 1956 Clifton Pugh

Melbourne experience

Magazine article by Diana Warnes, 2007

Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.

Painting shirt (Self portrait), 2011 by Kate Beynon

Observation point

Magazine article by Kate Beynon, 2011

Artist Kate Beynon reflects on the place of portraiture in her artistic career.

The gang, 1977

Lust for life

Magazine article by William Yang, 2008

Celebrated Sydney-based photographer and performer William Yang was commissioned by the National Portrait Gallery to produce a new performance work that premiered at the opening of the Gallery's new building.

Portrait of Troppo Architects, 2009

Thinking about architecture and portraiture

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Peter Wilmoth, age 12, with copies of Our World 1974 Courtesy of the author

Paper, boy

Magazine article by Peter Wilmoth, 2016

Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.

Elizabeth (Murray) 2000

Extremely generous and incredibly close

Magazine article by Michael Desmond, 2010

Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.

Feminist Fan#1 (PUSSY: Casey at the Melbourne Pussy Riot Protest, 2012) 2015 by Kate Just

Heroine knits

Magazine article by Sophia Cai, 2017

‘Dear Kate Just – I’m your feminist fan’. Interview by Sophia Cai.

Dame Mabel Brookes, c. 1955 William Dargie

The hands have it

Magazine article by Angus Trumble, 2016

Angus Trumble treats the gallery’s collection with a dab hand.

M H Wednesday 11.15am from the series Self-harm, 2004

Big it up

Magazine article by Magda Keaney, 2005

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

Charlie as he was, 2007

I'm not there

Magazine article by Dr Christopher Chapman, 2008
Christopher Chapman looks at some contemporary portraits that explore the construction of identity.
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© National Portrait Gallery 2020
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.