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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / george lambert

Gallery One salon hang

Conversation pieces

Magazine article by Dr Emma Kindred, 2025

Curator Emma Kindred shares a glimpse of the creative process behind her selection of works for the National Portrait Gallery’s salon hang.

Tempe Manning Self-portrait 1939

A potpourri of portraits

Magazine article by Natalie Wilson, 2023

Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.

Mary Chomley

The Cosmopolitans

Previous exhibition, 2023

Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.

Une Femme Amoureuse, Self portrait as Mireille Mathieu, 2022 Yvette Coppersmith

You, looking at me

Magazine article by Elspeth Pitt, 2022

Elspeth Pitt chats with Archibald Prize-winning artist Yvette Coppersmith about performance, coincidences and the intersection of art and life.

Mary Chomley

The Cosmopolitans

Now on display in Gallery Two

General content

Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.

Self portrait

Give me five

Magazine article by Karen Quinlan AM, 2021

National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.

spaces between movement and stillness

Harriet Schwarzrock: spaces between movement and stillness

10 February 2021

Archived media releases 2021

To celebrate the new exhibition Australian Love Stories, renowned Australian glass artist Harriet Schwarzrock has been commissioned to make a large-scale installation reflecting on the role the heart plays as our emotional centre.

Rachel Ward and Bryan Brown

Australian Love Stories

Archived media releases 2021

A major new exhibition celebrating love in all its guises. Opening 20 March 2021.

Self portrait with gladioli

A very great and stimulating thrill

It's Complicated

Just good friends?

Henry Fullwood (Uncle Remus)

Henry Fullwood (Uncle Remus)

Henry Fullwood (Uncle Remus)

Henry Fullwood (Uncle Remus), 1919

Portrait, pencil on paper

Gift of Denis Savill 2017. Donated through the Australian Government's Cultural Gifts Program.

Henry Lawson

Regarding Henrys

Magazine article by Dr Sarah Engledow, 2015

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

Portrait of Thea Proctor, 1905 by George Lambert

The real Thea

Magazine article by Dr Sarah Engledow, 2015

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling

General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Julian Ashton Life Class

Julian Ashton Life Class

Julian Ashton Life Class

Julian Ashton Life Class, 1920

Harold Cazneaux

Portrait, gelatin silver photograph on paper

Purchased 2015

The sculptor (George Lambert and Arthur Murch)

The sculptor (George Lambert and Arthur Murch)

The sculptor (George Lambert and Arthur Murch)

The sculptor (George Lambert and Arthur Murch), c. 1929

Harold Cazneaux

Portrait, gelatin silver photograph on paper

Purchased 2015

© National Portrait Gallery 2025
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency