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Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Anne Sanders imbibes Tony Bilson’s gastronomic revolution.
Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.
This issue features Cindy Sherman, Tim Storrier, Brett Whiteley and Patrick White, contemporary Chinese portraiture, Charles Blackman and more.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Barbara Blackman reflects on her experiences as a life model.
In 2000, Barbara Blackman donated a portrait of her close friends - poet Judith Wright, her husband Jack McKinney and their daughter Meredith - painted by Charles Blackman.