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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Winning in technicolor

Magazine article by Alistair McGhie, 2009

Alistair McGhie writes about the portraits of three of Australia's top professional cyclists: Cadel Evans, Stuart O'Grady and Robbie McEwen painted by Matthys Gerber.

Portrait 30

December 2008 - February 2009
Magazine

This issue of Portrait Magazine features the inaugural hang of the new National Portrait Gallery, Cadel Evans, Stuart O'Grady, Robbie McEwen, Casey Stoner, Bruce Petty and more.

Go glossy!

Magazine article by Katherine Russell, 2006

In association with the Glossy 2 exhibition, eight year 10,11 and 12 students spent two days transforming themselves into a variety of alter-egos in the first ever 8x10 Glossy Photo Shoot Workshop.

Audience in the Palace Theater c1943

Exposed: Voyeurism Surveillance and the camera since 1870

Magazine article by Sandra Phillips, 2010

The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.

Hop, skip, shoot

Magazine article by Simon Elliott, 2004

Former NPG Deputy Director, Simon Elliott talks with Ern McQuillan about his life and career as a sports photographer.

Hyperversity

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

Self-portrait, 2015 by Rod McNicol

A spectral sentience

Magazine article by Aimee Board, 2019

Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.

Madame du Barry, 1791 by Richard Cosway

Little women

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency