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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self Portrait in red shirt, 1937 by Arthur Boyd

Arthur as Alyosha?

Magazine article by Patrick McCaughey, 2015

Patrick McCaughey explores a striking Boyd self portrait.

Artist and wife near Arthurs Seat, 1969

Through blue eyes

Magazine article by Dr Sarah Engledow, 2009

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

The sisters, 1904

Beguiling impressions

Magazine article by Dr Sarah Engledow, 2012

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

Ellen Stirling, c. 1828 Thomas Phillips

Duty bound

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.

Portrait 49 Winter 2015

Magazine

This issue features Jude Rae, Arthur Boyd, Darren McDonald, John Singer Sargent, Tom Wills the 'inventor' of Australian Rules Football and more.

James Oswald Fairfax, c. 1991 Bryan Westwood

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Portrait 53 Winter 2016

Magazine

Experience the art of rock music; attend to the neglected aspects of Lord Kitchener's work; and say farewell to the inimitable Bob Ellis.

The Gladiators (Norm Provan and Arthur Summons), 1963 (printed 1970s) John O'Gready

Who's that?

Magazine article by Michael Desmond, 2009

Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.

Self portrait, 1948 Grace Cossington Smith

Portrait of a Modernist

Magazine article by Dimity Goldie, 2003

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Portrait of Tam Purves, 1958 John Brack

Bonfire of the vanities

Magazine article by Stuart Purves, 2016

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Sir Lindesay Clark, 1973 Clifton Pugh

The Stories Beneath

Magazine article by Dr Sarah Engledow, 2005
The Alcoa World Alumina Australia gift.
Portrait of Truganini, daughter of the Chief of Bruny Island, Van Diemens Land, c. 1835

Black and white history

Magazine article by Michael Desmond, 2009

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

Sir Sidney Kidman, 1932 Samuel Woolf

The fat of the land

Magazine article by Dr Sarah Engledow, 2009

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

Jack Brabham, 2004 Julie Edgar

Start Your Engines...

Magazine article by Catherine McDonough, 2006

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham. 

Alexander Pearce
executed for murder
July 19th 1824

Public hanging

Magazine article by Michael Desmond, 2008

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.

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© National Portrait Gallery 2020
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.