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Dr Christopher Chapman, curator of Inner Worlds: Portraits & Psychology looks at Albert Tucker's Heidelberg military hospital portraits.
I think the truest representation of someone is a portrait.
Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.
Patrick McCaughey explores a striking Boyd self portrait.
Gavin Fry examines the art and career of the Australian painter Rick Amor.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
Grace Carroll contemplates the curious case of Christian Waller.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.
In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.
Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.
Australian character on the market by Jane Raffan.
In her self-portrait, Tracey Moffatt presents herself as her work.
Sir William Dargie, painter and eight times winner of the Archibald Prize for portraiture, died in Melbourne on July 26, 2003, aged 91.