
Rebecca Blake looks at the whimsical and flamboyant art of Gerwyn Davies, a two-time National Photographic Portrait Prize finalist.

Sinead Davies, born in Ireland, studied at the Byam Shaw School in London from 1976 to 1980, winning the Byam Shaw Scholarship in 1978 and the British Foundation Institute Award of the Royal Academy of Art in 1980.
1 portrait in the collection

David Davies began studying art at the School of Mines and Industries in his birthplace, Ballarat.
1 portrait in the collection

Rhodri Glyn Davies worked as a television cameraman and director of documentaries while pursuing his interest in photography, exhibiting with a group of artists called Quincunx in Wales and Scotland.
1 portrait in the collection



Purchased 2018



Collection: National Portrait Gallery
Gift of the artist 2010



Collection: National Portrait Gallery
Purchased 2010



Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009



Purchased 2009



Collection: National Portrait Gallery
Gift of Betty Meehan 2013



Collection: National Portrait Gallery
Purchased 2012



Collection: National Portrait Gallery
Gift of Ted and Gina Gregg 2012

Glynis Traill-Nash explores a new Romance Was Born commission, Emma Kindred looks at Vincent Namatjira, and Rebecca Blake profiles NPPP finalist Gerwyn Davies.

Explore how three artists approach photographic self portraiture.

Alan Davies' and Peter Stanbury's The Mechanical Eye in Australia lists Sydney photographer John Davis (life dates unknown) as having a carte-de visite studio on King Street, and as working from addresses on Pitt and George Streets between 1870 and 1873..
1 portrait in the collection

"Coo-ey, Coo-ey, Coo-ey, Coo-ey—Love has caught the strain, Coo-ey, Coo-ey, Coo-ey, Coo-ey—it whispers back again." The “Australian lady” who composed these fruity lyrics was none other than Desda— Jane Davies, sometime Messiter (née Price) of Leddicott, Lavender Bay.