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The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.
Michael Desmond discusses Irving Penn's photographic portrait of Nicole Kidman.
Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
The exhibition California Video at the J Paul Getty Museum in Los Angeles demonstrated how video artists expand the boundaries of portraiture.
Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.
Rebecca Harkins-Cross considers Carol Jerrems’ portraiture against the backdrop of social change in the 1970s.
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.