
Take a close look at a portrait with a hidden message in its hands. For Year 7 – 9 students.

Explore Thom Roberts' portraiture techniques and ignite your creativity with hands-on activities.

Designed for babies and toddlers aged 0–4 and their carers, Playgroup programs offer a gentle introduction to creative play. Children can explore sensory play, tummy time experiences and creative hands-on making activities at their own pace.

For care groups - bring your holiday group to the Gallery for a memorable experience.

Let’s take a look at the National Photographic Portrait Prize for 2024!

Explore Thom Roberts' portraiture techniques and ignite your creativity with hands-on activities and follow Thom’s steps to make funny face portraits!

Finalist, MDPA 2015

Photographer Jozef Vissel talks about his ‘Multi Exposed Hand’ portrait of Sydney Opera House architect Jørn Utzon.

These paintings by Juan Ford and sculptures by Sam Jinks evoke the impermanence of human life.

Born in Hong Kong, Naarm/Melbourne-based artist Kate Beynon builds from the cultural legacy of her familial ancestry and experience to envision hybrid personas, identities, worlds and mythologies.

Internationally renowned, Paris-based artist Angelica Mesiti creates video installations that are absorbing and profound experiences for audiences.

Going around a gallery with a child, we point to a painting of a dog and brightly ask ‘What’s that?’ If they don’t say ‘A dog’, we tell them that’s what it is. We don’t say it’s a shape inscribed by an artist that’s popularly understood to signify a dog. That’d only serve to foster a smarty-pants.

Unique in the world, perhaps, is a bronze sculpture that fuses the age-old human portrait bronze tradition, and the later genre of the bronze pug figurine: that’d be William Robinson’s Self-portrait with pug.

Discover how artists use photography to explore their imagination.

A self-portrait from a different time, feels like a different time, even though it's only a couple of years ago or one and a half years, if that, and it was my commentary on COVID and how I was feeling about it at the time.

The National Portrait Gallery welcomes Angus Trumble