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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Dr Fiona Wood AM

The Good Doctor

Magazine article by Dr Sarah Engledow, 2005

Dr Sarah Engledow describes the achievements of internationally renowned burns and trauma surgeon Professor Fiona Wood.

Self Portrait, Stuart Campbell by Stuart Campbell

The essence of you

Magazine article by Lee Tulloch, 2011

Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.

Cadel Evans

Winning in technicolor

Magazine article by Alistair McGhie, 2009

Alistair McGhie writes about the portraits of three of Australia's top professional cyclists: Cadel Evans, Stuart O'Grady and Robbie McEwen painted by Matthys Gerber.

Portrait of Tam Purves

Bonfire of the vanities

Magazine article by Stuart Purves, 2016

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Portrait 39

March - May 2011

This issue features the National Photographic Portrait Prize, Neil Murray, Lee Tulloch on Stuart Campbell, Joseph Banks, Scott Redford and more.

Portrait 30

December 2008 - February 2009

This issue of Portrait Magazine features the inaugural hang of the new National Portrait Gallery, Cadel Evans, Stuart O'Grady, Robbie McEwen, Casey Stoner, Bruce Petty and more.

Portrait 18

December 2005 - February 2006

This issue of Portrait Magazine features Daddy Cool, HRH Crown Princess Mary of Denmark, the exhibition Glossy 2, Aldo Giurgola, Fiona Wood and more.

Makinti Napanangka, Kintore

Encounter at Kintore

Magazine article by Hari Ho, 2004

Photographer Hari Ho describes the creation of his portrait of Papunya Tula artist Makinti Napanangka.

The Jester (self portrait)

Bloodlines

Magazine article by Michelle Fracaro, 2004

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

Richard Tognetti #1510

Now and Then

Richard Tognetti

Magazine article, 2025

Spanning 30 years, these portraits capture a life in music. Violinist, conductor and composer Richard Tognetti AO is Artistic Director of the Australian Chamber Orchestra.

Hardtmuth 'Hottie' Lahm

Hottie's Snifter to port

Magazine article by Peter Jeffrey, 2016

Peter Jeffrey trips the hound nostalgic.

Mr Mortimer Lewis

Little treasures

Magazine article by Dr Sarah Engledow, 2002

The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.

Portrait of Cate Blanchett

Being Cate

Magazine article by Dr Christopher Chapman, 2009

A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.

Self portrait, c.1900

Reflection

Magazine article by Michael Rosen, 2013

British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.

Senator Bonner

Black tie or wombat: How formal should I go?

Magazine article by Michael Desmond, 2008

Michael Desmond discusses the portrait of Senator Neville Bonner by Robert Campbell Jnr.

Self-Portrait, 1981 by Don Bachardy

Drawing inspiration

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

© National Portrait Gallery 2025
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency