Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?
Robert Hannaford has completed around 400 portraits over the span of his career.
Tim Storrier describes the influences on the development of his artistic style.
In association with the Glossy 2 exhibition, eight year 10,11 and 12 students spent two days transforming themselves into a variety of alter-egos in the first ever 8x10 Glossy Photo Shoot Workshop.
Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.
During her time in Australian politics, Dame Nancy Buttfield was an impressive advocate for equality for women and was responsible for ending the marriage bar for women in the Public Service.
A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.
Angus Trumble treats the gallery’s collection with a dab hand.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.
Diana O’Neil on Noel Counihan’s vivid 1971 portrait of Alan Marshall.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.