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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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1/2 length self portrait in mirror, wearing pyjama shirt, camera at shoulder height, 1979 Carol Jerrems

Great Experimentations

Magazine article by Rebecca Harkins-Cross, 2025

Rebecca Harkins-Cross considers Carol Jerrems’ portraiture against the backdrop of social change in the 1970s.

Rosaleen Norton, Witch of Kings Cross

Aussies All

Magazine article by Dr Sarah Engledow, 2006

Rennie Ellis photographs the self-proclaimed 'Witch of Kings Cross'.

Portrait 72

Portrait 72

Thom Roberts reveals the stories behind some of his portraits, Rebecca Harkins-Cross on Carol Jerrems, and Daniel Browning reflects on Tracey Moffatt’s 1986 series Some lads.

David Rastovich, 2010

Golden boy

Magazine article by Dr Christopher Chapman, 2010

Dr Christopher Chapman examines Scott Redford's photographic portrait of Australian surfer David 'Rasta' Rastovich.

Joan Croll

String of Pearls

Magazine article by Andrew Sayers AM, 2001

Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.

Betty Churcher

Tribute

Magazine article, 2015

Betty Churcher AO (1931–2015), gallery director, author, painter and lecturer, was educated in Brisbane before studying art in London.

Portrait of Dame Elisabeth Murdoch

The spirit of the gift

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

Luke Scibberas, Hill End NSW, 2004

Artists' space

Magazine article by John McDonald, 2007

Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.

Portrait of Kym Bonython/Portrait of Mr Bonython's speedway cap

Somewhere to hang your cap

Magazine article by Beatrice Thompson, 2007

A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.

Australian Dance Party and Catapult Dance performing Connecting Stories: Innovations at the National Portrait Gallery, 2022 Lorna Sim

Let’s dance

Magazine article by Emma Batchelor, 2022

Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.

Solo flight, 1977

Moving pictures

Magazine article by Dr Christopher Chapman, 2008

The exhibition California Video at the J Paul Getty Museum in Los Angeles demonstrated how video artists expand the boundaries of portraiture.

Nick Cave

On commission

Magazine article by Andrew Sayers AM, 2002

Former NPG Director Andrew Sayers discusses the art of commissioning portraits.

Self portrait with gladioli

Facing Facts

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

Peter Sculthorpe

Creative space

Magazine article by Eric Smith, 2004

Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.

Sidney Myer

Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

Kinky Night. Impressions Club, 1987

Aussies all

Magazine article by Simon Elliott, 2006

The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.

© National Portrait Gallery 2025
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency