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Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
Diana O’Neil on Noel Counihan’s vivid 1971 portrait of Alan Marshall.
Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.
The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Politics and personae in the portraiture of TextaQueen by Jane Raffan.
Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.
Daniel Browning delves into Tracey Moffatt’s Some lads series, recently acquired in full by the National Portrait Gallery.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.