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In her self-portrait, Tracey Moffatt presents herself as her work.
Daniel Browning delves into Tracey Moffatt’s Some lads series, recently acquired in full by the National Portrait Gallery.
This issue features Richard Avedon, Tracey Moffatt, Indigenous portraiture, William Kentridge, roller derby and more.
This issue of Portrait Magazine features Bill Leak's portrait of Robert Hughes, Polly Borland's photographs, Bill Brandt, Andy Thomas, Tracey Moffatt and more.
Thom Roberts reveals the stories behind some of his portraits, Rebecca Harkins-Cross on Carol Jerrems, and Daniel Browning reflects on Tracey Moffatt’s 1986 series Some lads.
Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Michael Riley’s early portraits by Amanda Rowell.
Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.
‘Dear Kate Just – I’m your feminist fan’. Interview by Sophia Cai.
Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.