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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

All that fall artist interviews video: 4 minutes

All that fall artist interviews

General content

Lawrence English, Ellis Hutch and Lee Grant talk about the works they created for All that fall.

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2010

Portrait Donors
Still Life (Pieta), 2007 by Sam Jinks

Mortality

More about In the flesh

In Western religious art a Pietà, also called a ‘lamentation’, is an image of the Virgin Mary cradling the dead body of Christ.

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2009

Portrait Donors
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2012

Portrait Donors
Shen Jiawei, 2016 by Mark Mohell

Shen Jiawei

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Shen Jiawei was born in China. During the Cultural Revolution he laboured in the Great Northern Wilderness, but even as he worked there, he gained recognition as an artist. 

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2017

Portrait Donors
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Major Donors

$50,000+
Honour board
Kate

Favourite portraits

General content

National Portrait Gallery staff introduce their favourite portraits from the exhibition.

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Benefactors

$100,000+
Honour board
William Robertson and Martha Mary Robertson

A charming prospect

Nearest & Dearest

Family fortunes

Marianne Egan and her children Gertrude Evans Cahuac and Henry William Cahuac

Maritime disaster leaves poignant picture

Devotion

Absence rends the heart asunder

All that fall

25 March 2015
Archived media releases 2015

Focusing on the wide-ranging themes of loss and absence, All that fall: Sacrifice, life and loss in the First World War creates a moving portrait of mourning and sacrifice as experienced on the Australian home front during the First World War.

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Supporters

$5,000+
Honour board
Kaloti Parmjit, 2012 by Louise Whelan

Louise Whelan

Finalist interviews

I met Kaloti Parmjit the day I took the photo. I first visited the Sikh temple in the suburb of Glenwood to take photos as part of a social documentary project I'm undertaking for the State Library of NSW.

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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