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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Rehearsing Godot (Mullins as Lucky) 4.11.2013 by Nicholas Harding

Waiting for Godot

Magazine article by Dr Sarah Engledow, 2015

'Artist and actors, advancing spasmodically, find their rhythm together' writes Sarah Engledow.
Abbey Mag (detail), 2017 Tanja Bruckner

Safe space

Magazine article by Amy Middleton, 2023

Amy Middleton on the power of portraiture in promoting inclusivity and connecting with intersectionality and diversity in all its forms.
kith and kin, 2024 Archie Moore

kith and kin

Magazine article by Ellie Buttrose, 2024

Ellie Buttrose reveals the web of connection behind Kamilaroi/Bigambul artist Archie Moore’s kith and kin, which won the Golden Lion award at the Venice Biennale 2024.
Dave Graney

Naked nostalgia

Magazine article by Penelope Grist, 2016

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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The National Portrait Gallery is an Australian Government Agency