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Isobel Parker Philip introduces artist Thom Roberts, whose distinctive portraits of people, buildings and personified trains define the world as he experiences it.
Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.
While visiting the National Portrait Gallery I noticed the absence of paintings of journalists.
William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.
Kim Sajet reflects on two portraits with a power that extends beyond gallery walls.
Kurdish-Iranian writer and filmmaker Behrouz Boochani on his portrait by Hoda Afshar, recently acquired by the National Portrait Gallery.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.
Lauren Dalla examines the life of Basil Bressler, the art patron responsible for one of the NPG's most important bequests.
British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.
Tony Curran ponders whether our phones can change the course of painting.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.
Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.