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James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.
Tegan McAuley looks at the evolution of video portraiture.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.