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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Sir Charles Lloyd Jones

Home and away

Magazine article by Dr Sarah Engledow, 2009

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Luke Scibberas, Hill End NSW, 2004

Artists' space

Magazine article by John McDonald, 2007

Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.

Bushrangers, Victoria, Australia, 1852, 1887 by William Strutt

Strutt your stuff

Magazine article by Matthew Jones, 2016

Matthew Jones on the upshot of a St Kilda Road outrage.

Lyndall Hobbs and Marilyn at the Come as your favourite blonde party, Blitz Club, London, 1979 Robert Rosen

Shiny, happy people

Magazine article by Glynis Jones, 2022

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

Tim Winton

Tracks in the sand

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow discusses Quentin Jones's photograph of Australian author Tim Winton.

Portrait 66

Portrait 66

The Huxleys, National Portrait Gallery London’s masterpieces, Jennifer Higgie on portraits of women by women, Tamara Dean, Bangarra, Glynis Jones on fashion photographers, and NPG/NGV collaboration.

Daddy Cool, Melbourne

Now Listen...

Magazine article by Simon Elliott, 2005

Artist Tessa Jones recalls creating her portrait of Daddy Cool and Mondo Rock singer and music producer, Ross Wilson.

Self portrait

A guy from Paris

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow on a foundational gallery figure who was quick on the draw.

Fly fishing for Atlantic Salmon, Iceland, 2015 Josh Hutchins

Fisheye

Magazine article by Andrew Mayo, 2020

Andrew Mayo explores the portrait piscatorial, with help from two of its most creative practitioners.

Dame Mabel Brookes

The hands have it

Magazine article by Angus Trumble, 2016

Angus Trumble treats the gallery’s collection with a dab hand.

Style Over Substance 2020 (still), 2020 The Huxleys

Observation point

Magazine article by The Huxleys, 2022

Growing up feeling isolated, ostracised and ornate in the heated homogeny of the suburbs of Perth and the Gold Coast we often longed and dreamed for an escape.

Radical Restraint
Justice Michael Kirby

A gift from the heart

Magazine article by Lauren Dalla, 2003

Lauren Dalla examines the life of Basil Bressler, the art patron responsible for one of the NPG's most important bequests.

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Lowitja O'Donoghue

Anatomist's eye

Magazine article by Diana Warnes, 2016

Robert Hannaford has completed around 400 portraits over the span of his career.

Lewis Morley

Myself and Eye

Magazine article by Magda Keaney, 2003

Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.

Moonboy, 2010

Observation point

Magazine article by Tim Storrier, 2013

Tim Storrier describes the influences on the development of his artistic style.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency