Lucy Quinn compares the approaches of three photographers lured to the action and culture of roller derby.
Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond
The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
This issue features Jenny Sages, Francis Bacon and Lucian Freud, Brook Andrew's portrait of Marcia Langton, Nicholas Harding, Lola Montez, Mick Molloy and more.
Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.
Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.
Michael Desmond explores the portraiture of Francis Bacon and Lucian Freud.
Karl James gives short shrift to doubts about the profile of General Sir John Monash.
Mark Haworth-Booth explains why Bill Brandt is one of the most important British photographers of the Twentieth Century.
Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.
Artist David M Thomas lists some of the ideas and influences behind his video portraits.
Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.
Jane Raffan investigates auction sales of self portraits nationally and internationally.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.