- About us
- Support the Gallery
- Venue hire
- Publications
- Research library
- Organisation chart
- Employment
- Contact us
- Make a booking
- Onsite programs
- Online programs
- School visit information
- Learning resources
- Little Darlings
- Professional learning

Recent research shows that two thirds of all Australians have a sterling interest in the arts and Australian history. This is just one of the promising findings to arise from the National Portrait Gallery’s commissioned snapshot of its national brand awareness, via a nationally representative survey.

The National Portrait Gallery has had its most successful Multimedia and Publication Design Awards (MAPDAs) ever, winning four awards across multiple categories. The awards were presented at a ceremony at the Australian Maritime Museum last Friday night.

The second annual brand-awareness snapshot of the National Portrait Gallery is again positive, with indicators moving in the right direction – for the Gallery and for Australia’s cultural engagement.





Commissioned with funds provided by Maliganis Edwards Johnson and Alan Dodge AM 2018

A new commissioned portrait funded by the Gallery’s Foundation will be launched at Murdoch University in Perth tonight, Wednesday 2 September.

More than eighty treasures from the National Portrait Gallery London will travel to Canberra for a once-in-a-lifetime exhibition at the National Portrait Gallery from March 2022.

Rock’s raw potency made it the ideal medium for fomenting protest. The 1970s, 80s and onwards saw calls for social and environmental justice ring out through song.

One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

Leo Schofield introduces the exhibition, Masters of fare: chefs, winemakers, providores.

Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it.

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.