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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

by Alex Frayne The 70 year old jetty jumper, 2011

Alex Frayne

NPPP 2012 learning resource

An interview with the photographer.

Hong Fu

Hong Fu

Vox pops

My subject, he is a writer. He is a big name, very famous writer, Alex Miller, age 85.

by Kate Atkinson The Textiles Scientist, 2018

Textiles Scientist Voted the People’s Favourite

27 March 2019
Archived media releases 2019

The black and white portrait of an elderly woman with sidelong glance and irreverent, contemplative smile has taken out the people’s choice award in this year’s National Photographic Portrait Prize.

by Alana Holmberg Greta In Her Kitchen, 36 weeks, 2018

Winner announced for National Photographic Portrait Prize 2019

22 February 2019
Archived media releases 2019

From an outstanding field of more than 3,000 entries, culminating in a shortlist of 39 exceptional finalists, the Winner and Highly Commended entries for this year’s National Photographic Portrait Prize have been named.

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2022

Portrait Donors
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2001

Portrait Donors

Finalists announced for National Photographic Portrait Prize

14 November 2018
Archived media releases 2018

The National Portrait Gallery would like to congratulate the forty finalists for the National Photographic Portrait Prize 2019.

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2021

Portrait Donors
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2004

Portrait Donors

The making of SKIN in Bare

Youth theatre comes to the Gallery
General content

Responding to Bare, Canberra Youth Theatre in partnership with the Gallery presented a performance that explores identity.

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Community Supporters

$250+
Honour board
by Myles Nelson James, 2012

Myles Nelson

Finalist interviews

It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.

by Lee Grant Charlie, 2017

National Photographic Portrait Prize 2018

8 March 2018
Archived media releases 2018

Images for media use will be available from 8 March 2018.

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Patrons

$1,000+
Honour board
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Major Supporters

$10,000+
Honour board
Jack Charles

NPPP 2012 learning resource

Learning resource archive

Exploring select works from the NPPP 2012. For secondary students.

© National Portrait Gallery 2026
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency