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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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James, Rebecca and Sam Mapu

Time and light

In Gallery Seven

Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

John Williams

John Williams

John Williams

John Williams, 2000 (printed 2022)

Portrait, type C photograph on paper

Purchased 2022

Surfing, Noosa, 1970s Stuart Spence

The play’s the thing

About Face article

Penelope Grist charts an immersive path through Stuart Spence’s photography.

Mark Seymour, Hunters and Collectors, Phoenician Club, Sydney '92, 1992 Stuart Spence

Mark Seymour, Hunters and Collectors, Phoenician Club, Sydney '92

General Birdwood, the Idol of Anzac, taking a dip in the sea after a hard days work 1915

In the thick of it

Magazine article by Dr Sarah Engledow, 2010

Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.

Thomas Sutcliffe Mort and his wife Theresa

Husbands and Wives

Photographic Portraits from 19th Century Australia

Previous exhibition, 2010

'I have just been to my dressing case to take a peep at you.

William Charles Windeyer

William Charles Windeyer

William Charles Windeyer

William Charles Windeyer, c. 1857

an unknown artist

Portrait, daguerreotype

Gift of the Windeyer family 2009

The Joy Of Life, 2002 by Janelle McKay

Headspace 3

Previous exhibition, 2002

The self-portrait enables students to explore emerging and changing aspects of their own identity, their sense of self, their place in the world, their experience of being human

Portrait of Captain James Cook RN

The Quiet Australian

Magazine article by Brian Dale, 2001

Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.

John Williams

John Williams AO OBE

John Williams AO OBE, (b. 1941), guitar virtuoso, had his first guitar lessons from his father, and from the age of eleven attended summer schools with the Spanish maestro Andrés Segovia in Italy.

1 portrait in the collection

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency