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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven
Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Ned Kelly death mask

Sideshow Alley

Infamy, the macabre & the portrait
Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

Installing David Walsh

On the road again

Magazine article by Dr Deborah Hill, 2017

Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.

Greg and I, 2012 by Cayce Zavaglia

Thread bare

Magazine article by Cayce Zavaglia, 2017

US artist Cayce Zavaglia reveals human duality in her striking embroidered portraiture.

Sammy Dodd

2022 Annual Appeal

Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

Margaret Whitlam

Glossy too

Magazine article by Christine Clark, 2005

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

Captain W Kinghorne

The bright-eyed Mariner

Magazine article by Dr Sarah Engledow, 2008
A new colonial portrait brings a zealous captain near.
Portrait of Captain John Hunter

Goods and chattels

About Face article

I have been reading systematically through the ads in the earliest issues of the Sydney Gazette and New South Wales Advertiser, such a rich vein of information about certain aspects of daily life in Regency Sydney.

Terms and conditions

Darling Portrait Prize 2024
Darling Portrait Prize

These terms and conditions govern entries to the National Portrait Gallery’s Darling Portrait Prize 2024.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Betty Bryant, c. 1939

The life of Bryant

Magazine article by Tenille Hands, 2018

Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.

Dr John Yu

Clay, water, fire

Magazine article by Simon Elliott, 2005

Ah Xian's porcelain portrait of paediatrician Dr. John Yu reflects Yu's heritage and interests.

Nine square images of previous winners of the National Photographic Portrait Prize

Terms and conditions

National Photographic Portrait Prize 2024
National Photographic Portrait Prize
Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Chairman Sid Myer AM, Deputy Chair Hayley Baillie, Tim Bednall, Jillian Broadbent AC, Patrick Corrigan AM, Marilyn Darling AC, Tim Fairfax AC, Penny Fowler AM, John Liangis, Dr Helen Nugent AC, Nigel Satterley AM and Susan Armitage

Foundation Members

Foundation

Chairman Sid Myer AM, Hayley Baillie, Tim Bednall, Jillian Broadbent AC, Patrick Corrigan AM, Marilyn Darling AC, Tim Fairfax AC, Penny Fowler AM, John Liangis, Dr Helen Nugent AC and Nigel Satterley AM.

image not online

Forum participants

General content

Biographies of participants in the Writing lives, revealing lives forum.

© National Portrait Gallery 2024
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ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency