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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Tea time, c.1898–1902 by Rupert Bunny (1864–1947)

Impressions

Painting light and life
Previous exhibition, 2011

Impressions: Painting light and life presents portraits by, and of, artists at the heart of Australian impressionism including Tom Roberts, Arthur Streeton and Frederick McCubbin.

True Stories - Helen Garner

Jenny Sages

Paths to Portraiture
Previous exhibition, 2010

The exhibition Sages examines the process of portrait making through four large-scale portraits of women by Jenny Sages, paired with intimate preparatory drawings.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling
Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Jeremy, 2001 by Sarah Cocker

Headspace 2

Previous exhibition, 2001

A dynamic young people's art exhibition, Hearts/Heads: Headspace II explored portraiture, produced by students from year 7 to year 12

Losing Faith, 2004 by Alexandra Cody

Headspace 5

Crystal Gazing
Previous exhibition, 2004

Crystal Gazing: Headspace V, the fifth in the National Portrait Gallery's program of secondary student portrait exhibitions, invites students from Canberra and the surrounding regions to explore the possibilities of portraiture

Portrait of Professor Graeme Clark

Portraits for Posterity

Previous exhibition, 2006

Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.

Norman Lindsay

Max Dupain

The Vintage Years
Previous exhibition, 2003

During his long and distinguished career Max Dupain took thousands of photographs of people

Self portrait

Elegance in exile

Portrait drawings from colonial Australia
Previous exhibition, 2012

Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.

Damien Parer

Mirror With A Memory

Photographic Portraiture in Australia
Previous exhibition, 2000

This is the first major exhibition to examine photographic portraiture in Australia, from its beginnings in the early 1840s to the present day

Checkered Past, 2003 by Alex Epoff

Headspace 4

Facing Memory
Previous exhibition, 2003

Facing Memory: Headspace 4 provides us with valuable insights into the thoughts, creative processes and art-making practices of secondary students from Year 7 to Year 12 from sixty-two schools in the Australian Capital Territory, regional New South Wales and Victoria

Annette Kellerman

Indecent exposure

Annette Kellerman
Previous exhibition, 2011

'Diving Venus' and 'the perfect woman' are two of the numerous descriptions applied to Annette Kellerman, who achieved international fame during the early decades of the twentieth century.

masculine/feminine, 2010 by Bridget Mac
NYSPP 2010 winner

National Youth Self Portrait Prize

NYSPP 2010
Previous exhibition, 2010

An annual event, the National Youth Self Portrait Prize seeks to encourage young people to embrace self portraiture and its expressive possibilities.

Escape, 2006 by Eddy Collett

Headspace 7

Me and My Place
Previous exhibition, 2006

Headspace 7: Me and My Place, the seventh in the National Portrait Gallery's series of student exhibitions, will be presented at Commonwealth Place. Me and My Place is the curatorial theme for the 2006 exhibition.

Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Previous exhibition, 2022

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Thomas Sutcliffe Mort and his wife Theresa

Husbands and Wives

Photographic Portraits from 19th Century Australia
Previous exhibition, 2010

'I have just been to my dressing case to take a peep at you.

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Previous exhibition, 2023

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency