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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Davida Allen, 2016 by Mark Mohell

Davida Allen

Explore The Popular Pet Show

Going around a gallery with a child, we point to a painting of a dog and brightly ask ‘What’s that?’ If they don’t say ‘A dog’, we tell them that’s what it is. We don’t say it’s a shape inscribed by an artist that’s popularly understood to signify a dog. That’d only serve to foster a smarty-pants.

Fiona McMonagle, 2016 by Mark Mohell

Fiona McMonagle

Explore The Popular Pet Show

Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it. 

Kristin Headlam with Basil, 2016 by Mark Mohell

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 

Self-portrait in black jumper, 2017 Graeme Drendel

Be frank

Magazine article by Dr Sarah Engledow, 2020

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

The rose, 1927

The world of Thea Proctor

Magazine article by Dr Sarah Engledow, 2005

The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.

Pat Mackie

Blue Collar Icon

Magazine article by Dr Sarah Engledow, 2005

Dr Sarah Engledow delves into the life of union leader Pat Mackie who is depicted in a portrait by Nancy Borlase AM.

Tim Winton

Tracks in the sand

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow discusses Quentin Jones's photograph of Australian author Tim Winton.

Practising the Minuet (Miss Hilda Spong)

An actress and her fans

Magazine article by Dr Sarah Engledow, 2008

Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.

Nat Young, c. 1968 by Albert Falzon

Arcadia

Sound of the sea
Previous exhibition, 2014

An exhibition of photographs by John Witzig, drawings by Nicholas Harding and film footage by Albe Falzon, expressive of the free-spirited, hot-blooded energy of Australian surfers under the cloud of conscription to Vietnam.

Captain W Kinghorne

The bright-eyed Mariner

Magazine article by Dr Sarah Engledow, 2008
A new colonial portrait brings a zealous captain near.
Billy Hughes paperweight

Mugshots

Magazine article by Dr Sarah Engledow, 2006

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.

Mr Mortimer Lewis

Little treasures

Magazine article by Dr Sarah Engledow, 2002

The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.

Portrait of George Selth Coppin

The Multifarious Career of George Selth Coppin

Magazine article by Dr Sarah Engledow, 2004

George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

Les Murray

Poets' Portraits

Magazine article by Dr Sarah Engledow, 2005

The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.

Portrait of Ninette Dutton

In a glance

Magazine article by Dr Sarah Engledow, 2004

Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency