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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

John and Lottie’s wedding, early 1970s Unknown artist

Shifting the definition

Nearest & Dearest

Defiant commitment

Guthugga Pipeline, Christmas Show, upstairs, The (old) Griffin Centre, Civic, 22 December 1979. Crowd, L-R : Ben Donaldson, Anne Redmond, Nick Vollis, Esa  Makela, Megan Woodrow (Mohawk), Andy Hall (scarf) 'pling

Capital Cool

Stop in all the byways, playin' rock 'n roll
General content

Outsiders tend to give Canberra a bad rap: sterile, plagued by politicians, a comatose capital for professionals and academics. Nick Cave once said he didn’t like the city because there were too many punks.

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Honour board
Stephen, Russell and David Page

Bangarra brothers: songman, storyteller, dancer

Passion

Creative kin

Gordon and Marilyn Darling

Honour board

Support your Portrait Gallery

The National Portrait Gallery acknowledges and thanks all its supporters.

Portrait of Mrs Tom Roberts

2013-14 Acquisition Fund

Annual Appeal

This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.

David Malouf

2012-13 Acquisition Fund

Annual Appeal

The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018 winner announced

23 March 2018
Archived media releases 2018

Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.

Adams Apple, 2013 by Petrina Hicks

Alienation

More about In the flesh

Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.

Chris Wallace-Crabbe

2014-15 Acquisition Fund

Annual Appeal

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

The Boys Next Door

Oz Punk

Sends a permanent shiver down my spine
General content

In 1976, without having been blooded on the Sydney or Melbourne pub circuit, The Saints recorded a single – ‘(I’m) Stranded’ – earning them the distinction of releasing a punk single before The Sex Pistols did.

The 70 year old jetty jumper, 2011 by Alex Frayne

Alex Frayne

NPPP 2012 learning resource

An interview with the photographer.

Zareth, 2009 by Scott Bycroft

NPPP 2010 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2010 Prize.

Nothing's as precious as a hole in the ground

Protest!

How can we dance when our earth is turning?
General content

Rock’s raw potency made it the ideal medium for fomenting protest. The 1970s, 80s and onwards saw calls for social and environmental justice ring out through song.

At the bus stop, 2011 by Brenton McGeachie

Brenton McGeachie

NPPP 2012 learning resource

An interview with the photographer.

June Dally-Watkins

2023 Annual Appeal

Annual Appeal

In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency