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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Portrait Donors

Listed by year
Honour board
Gordon Darling Hall, National Portrait Gallery

Architecture

About us

Natural light and human proportions – the design by Johnson Pilton Walker

Darren McDonald, 2016 by Mark Mohell

Darren McDonald

Explore The Popular Pet Show

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

Kid A, 2014 by Joshua Morris

Swimming every day

NPPP 2015 exhibition essay
General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Nicholas Harding, 2016 Mark Mohell

Nicholas Harding

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Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality. 

On the wall – Guangzhou (II), 2002 by Weng Fen

Exhibition themes

General content

The four main themes of the exhibition: About face, Body politic, Skin deep, and Self reflex.

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Annual Appeal

Listed by year
Honour board
Trans-, 2004-05 by Tejal Shah

Tejal Shah

by Gitanjali Dang
Artist essays

Born in 1979, Tejal Shah grew up in Chhattisgarh, central India, moving to Bombay in 1995.

Kristin Headlam with Basil, 2016 by Mark Mohell

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

Last Light Ellis Hutch

Reflections

General content

All that fall: Sacrifice, life and loss in the First World War exhibition co-curators Dr Anne Sanders and Dr Christopher Chapman reflect on the evolution of the Gallery’s Anzac Centenary exhibition.

Bourgeois family: Mirror frieze, 2001 From the series Re-take of Amrita
by Vivan Sundaram

Vivan Sundaram

by Rakhee Balaram
Artist essays

Born in 1943 in Simla, Vivan Sundaram’s long career has given him opportunities to work in a range of mediums – painting, installation, assemblage, photography, digital media and film.

Open your mouth, 2002 by FX Harsono

FX Harsono

by Christine Clark
Artist essays

FX Harsono was born in 1949, just as the independence of the Indonesian nation was being established.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Landlocked, 2008 by Nadiah Bamadhaj

Nadiah Bamadhaj

by Beverly Yong
Artist essays

Born in Malaysia in 1968, to a Malaysian Muslim father and a New Zealander mother of Scottish descent Nadiah Bamadhaj studied Fine Arts in New Zealand, and is currently working on a PhD from Curtin University, Western Australia.

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency