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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

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It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

Cocky McGrath

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The long life and few words of a vice-regal cockatoo

The eye and the heart

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Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.

Nellie Melba

Fame or celebrity?

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A question lately cropped up in connection with Madame Melba as to whether fame and celebrity are not essentially the same thing. My feeling is that they are different.

A papal pet encounter

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In honour of the launch of the Popular Pet Show, Angus recalls a diplomatic incident with an over-excited golden retriever.

General Sir Thomas Makdougall Brisbane

Seeing stars

Celebrating Science Week
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It has been suggested that Sir Thomas Brisbane’s interest in the New South Wales governorship was as attributable to his passion for astronomy as to the desirability of the position as a prestigious career move.

Angus Trumble with Portrait of Sir Joseph Banks by Thomas Phillips

Banksia and grevillea

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Portraits can render honour to remarkable men and women, but there are other ways.

Trumble's way

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At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?

The National Portrait Gallery's 20th birthday party

The National Portrait Gallery's 20th Anniversary

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Last month we marked the twentieth anniversary of the formal establishment of the National Portrait Gallery, the tenth of the opening of our signature building, and the fifth of our having become a statutory authority under Commonwealth legislation.

Lee Kernaghan near Broken Hill

Milestones

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This month I turn fifty, soI am just now looking rather more closely than usual at Fiona Foley, Steven Heathcote, Brenda Croft, Russell Crowe, Jeff Fenech, Akira Isogawa, Lee Kernaghan, My Le Thi, Shona Wilson and Mark Taylor AO, mindful that they too were 1964 arrivals. 

Gough Whitlam

Prime Ministers

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On the day before the Hon. E. G. Whitlam, AC, QC, died last month, at the great age of 98, there were seven former prime ministers of Australia still living, plus the incumbent Mr. Abbott – eight in all.

Cooey: an Australian song

Cooey! An Australian Song

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"Coo-ey, Coo-ey, Coo-ey, Coo-ey—Love has caught the strain, Coo-ey, Coo-ey, Coo-ey, Coo-ey—it whispers back again." The “Australian lady” who composed these fruity lyrics was none other than Desda— Jane Davies, sometime Messiter (née Price) of Leddicott, Lavender Bay.

Queen Alexandra and Dowager Empress Marie Feodorovna of Russia, Hvidore, circa 1908 by Mary Steen

The cost of living luxuriously

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In 1904, the Dowager Empress Marie Feodorovna of Russia purchased as a gift for her sister, Queen Alexandra, a fan composed of two-color gold, guilloché enamel, mother-of-pearl, blond tortoiseshell, gold sequins, silk, cabochon rubies, and rose diamonds from the House of Fabergé in Saint Petersburg.

Gotta catch 'em all

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Angus Trumble grabs his life jacket and rides the Pokémon GO tsunami.

Hans Heinrich Thyssen-Bornemisza and David R. L. Litchfield at Villa Favorita, Lugano, Switzerland, 1989 © Nicola Graydo

The Thyssen Art Macabre

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Books seldom make me angry but this one did. At first, I was powerfully struck by the uncanny parallels that existed between the Mellons of Pittsburgh and the Thyssens of the Ruhr through the same period, essentially the last quarter of the nineteenth century.

Lustre, held by a Groom, ca. 1762 by George Stubbs

Stubbs and the horse

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One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 198485 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”

Portrait of HRH Crown Princess Mary of Denmark

Tribute: Mary Isabel Murphy

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The Chairman, Board, Director and all the staff of the National Portrait Gallery mourn the loss of our Benefactor, Mary Isabel Murphy.

Opening of the First Legislative Council of Victoria by Governor Charles Joseph LaTrobe at St Patrick's Hall, Bourke Street West, Melbourne November 13th 1851

Magna Carta

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On this day eight hundred years ago at Runnymede near Windsor, King John signed Magna Carta.

Andrew George Scott, alias Captain Moonlite, c.1879 attributed to Charles Nettleton

Diseased curiosity

Captain Moonlite et al on trial for murder
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Just after 10.00 o'clock on 3 December 1879, four prisoners were brought from their cells at Darlinghurst Gaol and placed in the dock of a courtroom heaving with agitated spectators

Ellen Stirling

Very fine and very like

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When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?

Queen Victoria (1819-1901), Signed and dated 1843 by Franz Xaver Winterhalter

Queen Victoria

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Last Sunday I had the privilege of appearing at the Canberra Writers’ Festival in conversation with Julia Baird. The subject of our session was Julia’s recent biography, Victoria the Queen: An Intimate Biography of the Woman who Ruled an Empire.

Portrait of Captain John Hunter

Goods and chattels

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I have been reading systematically through the ads in the earliest issues of the Sydney Gazette and New South Wales Advertiser, such a rich vein of information about certain aspects of daily life in Regency Sydney.

Thomas Woolner

The mystery of Enoch Arden

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Tennyson's Enoch Arden was inspired by a story that Thomas Woolner passed on to him – but whose story and of whom?

Sir Thomas Stamford Bingley Raffles, 1824 by James Thomson

Audacity, audacity, audacity

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Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.

Sydney Cove medallion, 1789 by Josiah Wedgwood

The medallion

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In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.

Helen Borthwick née Pearson

The personal and the historical

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Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.

Untitled, Conductors, Tramways series, 1990 © Matt Nettheim

Back track

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Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.

Group photograph taken at the coronation of King George VI including Queen Elizabeth II, Duke and Duchess of Gloucester and the Queen Mother, 12 May 1937 by Hay Wrightson

Poise and Carats

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I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

Mural of Italian/Roman actress Anna Magnani (1908­–1973) with face mask, April 2020 Unknown artist

Of plague and portraits

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Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.

An evening at Yarra Cottage, Port Stephens

Maria Caroline Brownrigg

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At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant

Monument to Mrs. Moore St. Luke’s Church, Liverpool, Sydney

Waterloo and Mrs. Moore

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Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.

Anangu landscape learning

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Angus' initial perception of Uluru shifts, as he comes to see it as central to the entire order of Anangu life.

Christmas Island

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This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

Forest Creek, Mount Alexander Diggings, 1852 by S. T. Gill

The Rothschilds, the Montefiores, and the Victorian Gold Rush

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Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency