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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Clive James

Golden Jubilee

Magazine article by Magda Keaney, 2002

Polly Borland's photograph of The Queen was commissioned by Buckingham Palace as part of a series of high profile celebrations to mark the Golden Jubilee.

Dr Peter Farrell

Giving and getting

Magazine article by Michael Desmond, 2006

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Ian Roberts (after Coypel 1709)

Super League

Magazine article by David Sequeira, 2004

The portrait of Ian Roberts by Ross Watson.

Captain W Kinghorne

The bright-eyed Mariner

Magazine article by Dr Sarah Engledow, 2008
A new colonial portrait brings a zealous captain near.
Joan Croll

String of Pearls

Magazine article by Andrew Sayers AM, 2001

Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.

The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Portrait of Dame Elisabeth Murdoch

The spirit of the gift

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Self Portrait with Stetson, 2011 by Darren McDonald

Painting them gently

Magazine article by Penelope Grist, 2015

Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Video still from Dream Job, 2011 by David M Thomas

My dream job

Magazine article by David Thomas AM, 2012

Artist David M Thomas lists some of the ideas and influences behind his video portraits.

Megan Gale

Glamour vs grunge

Magazine article by Dr Christopher Chapman, 2010

Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.

Captain James Cook

Rethinking foundational histories

Magazine article by Kate Fullagar, 2019

A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.

Sydney Ure Smith

Dupain detective

Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.

Carnation, Lily, Lily, Rose, 1885-86 by 
John Singer Sargent

A feast of friends

Magazine article by Richard Ormond, 2015

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Dr Edward MacMahon, 1959 by William Dobell

Bill and Ted's excellent portrait.

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency