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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Checkered Past, 2003 by Alex Epoff

Headspace 4

Facing Memory
Previous exhibition, 2003

Facing Memory: Headspace 4 provides us with valuable insights into the thoughts, creative processes and art-making practices of secondary students from Year 7 to Year 12 from sixty-two schools in the Australian Capital Territory, regional New South Wales and Victoria

Miles and Arkie, 2015 by Clint Peloso

Shop Talk

Magazine article by Stephen Phillips, 2016

Angus and the arbiters talk (photo) shop for the National Photographic Portrait Prize.

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Icons Syndicate

Lists alphabetically
Honour board
Osher, 2018 by Stephen Baccon

Snap chat

Magazine article by Anne O'Hehir, 2019

2019 National Photographic Portrait Prize judge Anne O’Hehir looks beneath the surface of this year’s entries.

The girls, 2017 by Tamara Dean

Snap decisions

Magazine article by Robert Cook, 2018

NPPP judge Robert Cook provides irreverent insight into this year’s fare, and having to be a bit judgemental.

The mahi-mahi, 2019 Rob Palmer

National Photographic Portrait Prize 2020

Previous exhibition, 2020

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Artist in residence creates portraits using brainwave zctivity

29 June 2016
Archived media releases 2016

Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

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Portrait Donors

Listed by year
Honour board
Christos Tsiolkas

Intense identity

Magazine article by Dr Christopher Chapman, 2009

Dr Chistopher Chapman discusses the portrait of Australian author Christos Tsiolkas taken by John Tsiavis.

Janet Dawson, 2016 by Mark Mohell

Janet Dawson

Explore The Popular Pet Show

When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’

David Rastovich, 2010

Golden boy

Magazine article by Dr Christopher Chapman, 2010

Dr Christopher Chapman examines Scott Redford's photographic portrait of Australian surfer David 'Rasta' Rastovich.

George Tjungurrayi

Two painters

Magazine article by Dr Christopher Chapman, 2007

Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.

Jacki Weaver

Jacki Weaver, 2018

by John Tsiavis
General content

Commissioned with funds provided by Marilyn Darling AC 2018

Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Previous exhibition, 2022

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency