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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Sammy Dodd

2022 Annual Appeal

Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

17 May 2018
Archived media releases 2018

The National Portrait Gallery is pleased to announce its winter exhibition is So Fine: Contemporary women artists make Australian history. It will open to the public from 29 June 2018.

Kid A, 2014 by Joshua Morris

Swimming every day

NPPP 2015 exhibition essay
General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.

Noel McKenna, 2016 by Mark Mohell

Noel McKenna

Explore The Popular Pet Show

It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

28 June 2018
Archived media releases 2018

Ten women artists explore the possibilities of portraiture as a contemporary art form; and reinterpret and reimagine Australian history in the Portrait Gallery’s new exhibition So Fine: Contemporary women artists make Australian history.

Keep the balance, 2010 by Eko Nugroho

Eko Nugroho

by Adeline Ooi
Artist essays

Born and raised in Yogyakarta, Eko Nugroho (b. 1977) entered the art scene at the height of Reformasi.

Nambin (black headed python), 2018 by Shirley Purdie

Skin names

General content

The first row of paintings depict stories relating to kinship, introducing significant women relatives.

Lucy Culliton, 2016 by Mark Mohell

Lucy Culliton

Explore The Popular Pet Show

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

On the wall – Guangzhou (II), 2002 by Weng Fen

Exhibition themes

General content

The four main themes of the exhibition: About face, Body politic, Skin deep, and Self reflex.

Dayiwool Ngarranggarni (Arygle dreaming), 2018 by Shirley Purdie

Ngarranggarni

General content

The third row of paintings come from Ngarranggarni (Dreaming).

Graeme Drendel, 2016 by Mark Mohell

Graeme Drendel

Explore The Popular Pet Show

I like talking about Drendel’s pictures as if they expressed dreams of my own.

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Annual Appeal

Listed by year
Honour board
Four paintings on the wall of Gallery 1

Visiting the National Portrait Gallery

Visual Stories

Access support for a general visit to the Gallery.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Kristin Headlam with Basil, 2016 by Mark Mohell

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

Bourgeois family: Mirror frieze, 2001 From the series Re-take of Amrita
by Vivan Sundaram

Vivan Sundaram

by Rakhee Balaram
Artist essays

Born in 1943 in Simla, Vivan Sundaram’s long career has given him opportunities to work in a range of mediums – painting, installation, assemblage, photography, digital media and film.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency