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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Janet Dawson, Paddington, Sydney

Janet Dawson

In their own words
In their own words

Recorded 1965

Summer 1986

Petite beauty marries gentle giant

Passion

Books, beets and heat

image not online

Portrait Donors

Listed by year
Honour board
Summer 1986

Janet Dawson’s painting of Michael Boddy gives paws for thought

The Australian, 26 November 2016
General content

Bronwyn Watson writes about Summer 1986 for the Popular Pet Show.

Billie, 2016 by Graeme Drendel

The Popular Pet Show

Previous exhibition, 2016

This exhibition expresses the joy and warmth that many of us derive from our animal companions, and celebrates their trusting, unpretentious ways, with portraits of Australians and their furry, feathered and fluffy friends.

Billie, 2016 by Graeme Drendel

Pets of all types take over the National Portrait Gallery

3 November 2016
Archived media releases 2016

It is not every day that a national gallery turns its walls over to the animal companions that bring unconditional love and joy to their owners but this summer we have opened the doors to 15 contemporary artists with very different ways of depicting our furry, feathered and scaled pets.

Janet Dawson, 2016 by Mark Mohell

Janet Dawson

Explore The Popular Pet Show

When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’

One hundred days at 7pm 2015 by Fiona McMonagle

Self-effacing

Magazine article by Michael Wardell, 2016

Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.

Joseph Cotta
Joseph Cotta
Joseph Cotta

Joseph Cotta, 1984

Janet Dawson
Portrait, pastel on paper

Collection: National Portrait Gallery
Gift of Joseph Mathew Cotta and Gladys Maria Cotta 2016

Gladys Cotta
Gladys Cotta
Gladys Cotta

Gladys Cotta, 1984

Janet Dawson
Portrait, pastel on paper

Collection: National Portrait Gallery
Gift of Joseph Mathew Cotta and Gladys Maria Cotta 2016

The Bare story

General content

Curator, Penny Grist, reveals how this exhibition came to be

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

Joseph Cotta
Joseph Cotta
Joseph Cotta

Joseph Cotta, 1983-1984

Janet Dawson
Portrait, charcoal on paper

Collection: National Portrait Gallery
Purchased 2015

Michael with beetroot sprouting
Michael with beetroot sprouting
Michael with beetroot sprouting

Michael with beetroot sprouting, 2008

Janet Dawson
Portrait, pastel on paper

Purchased 2015

Chris Dickins
Chris Dickins
Chris Dickins

Chris Dickins, 1983-1984

Janet Dawson
Portrait, charcoal on paper

Collection: National Portrait Gallery
Purchased 2015

Professor Derek Denton
Professor Derek Denton
Professor Derek Denton

Professor Derek Denton, 2009

Janet Dawson
Portrait, pastel on paper

Gift of Professor Derek Denton AC and Dame Margaret Scott AC 2014. Donated through the Australian Government's Cultural Gifts Program.

Portrait 36

June - August 2010
Magazine

This issue features convict portraitists, Janet Dawson, Paul Grabowsky, Nam Le, the Present Tense exhibition and more.

Bill Hunter
Bill Hunter
Bill Hunter

Bill Hunter, 1974

Janet Dawson
Portrait, charcoal on paper

Collection: National Portrait Gallery
Purchased 2011

Brown form with stripes, 1961

Figurative foundation

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.

Self portrait with glove

To Look Within

Self Portraits in Australia
Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Self portrait with gladioli

Facing Facts

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

Self portrait

Portrait of a Modernist

Magazine article by Dimity Goldie, 2003

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Angela Belgiorno-Zegna, 2001 by Salvatore Zofrea

Intimate Portraits

Previous exhibition, 2002

Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture

Janet Dawson, Paddington, Sydney
Janet Dawson, Paddington, Sydney
Janet Dawson, Paddington, Sydney

Janet Dawson, Paddington, Sydney, 1966 (printed 2000)

David Moore
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.

Summer 1986
Summer 1986
Summer 1986

Summer 1986, 1986

Janet Dawson
Portrait, oil on canvas

Purchased 2000, part gift of Michael Boddy

Self portrait
Self portrait
Self portrait

Self portrait, between 1951 and 1953

Janet Dawson
Portrait, oil on cardboard

Gift of the artist 2000

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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