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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Anna Josepha King

c. 1830
an unknown artist

watercolour and gouache on ivory (frame: 9.7 cm x 8.3 cm, sheet: 8.5 cm x 6.5 cm, image: 7.0 cm x 5.7 cm)

Before the early 1840s, when photography began to take hold, portrait miniatures were a favoured means by which people might secure tangible and enduring mementos of their loved ones. Typically executed in watercolour on panels of ivory and contained in petite frames or mounted in pendants, brooches, rings, and lockets, miniatures were designed to be clutched, kissed, carried close to the heart or displayed on a bedside table. Many early Australian colonists brought British-made miniatures with them, but increasing numbers of free settlers from the 1820s onwards soon created demand for miniatures by local, readily-available artists.

Collection: National Portrait Gallery
Purchased 2018

Artist and subject

Anna J. King (age 65 in 1830)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Madame du Barry, 1791 by Richard Cosway
Madame du Barry, 1791 by Richard Cosway
Madame du Barry, 1791 by Richard Cosway
Madame du Barry, 1791 by Richard Cosway

Little women

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.

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The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency