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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Sir Joseph Banks

c. 1788
Benjamin West and John Raphael Smith (engraver)

mezzotint on paper (frame: 90.0 cm x 65.0 cm, plate-mark: 59.5 cm x 37.5 cm)

Joseph Banks (1743–1820) was born into a wealthy English family. His largely self-taught expertise in botany earned him fellowship into the Royal Society at the age of 23. At 25, he convinced the Society to send him as a naturalist with Cook’s first Pacific voyage. Banks funded the additions of two other naturalists, two artists, a secretary, and two black servants. During the voyage he collected hundreds of specimens of flora and fauna, relying frequently on Indigenous interlocutors to understand what he was observing. Upon the Endeavour’s return, it was Banks more than Cook who symbolised Pacific voyaging to a newly fascinated British public. Banks quarrelled with the Admiralty over his accommodations for the second voyage, pulling out of it at the last minute. Possibly regretful of his tempestuous stand, Banks hungered for every detail of the voyage when it returned in 1774 and was delighted to take over responsibility for Mai from the Admiralty.

The Royal Academy’s 1773 exhibition featured portraits of the highly-topical Banks by Joshua Reynolds and the American-born Benjamin West. West’s portrayal included the young scientist draped in a cloak of New Zealand flax with Oceanic souvenirs and Sydney Parkinson’s drawings all about him.

Collection: National Portrait Gallery
Purchased 2010

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Benjamin West (age 50 in 1788)

John Raphael Smith (age 36 in 1788)

Sir Joseph Banks KCB (age 45 in 1788)

Subject professions

Science and technology

Related information

The Companion

Permanent collection catalogue

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On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Sir Joseph Banks
Sir Joseph Banks
Sir Joseph Banks
Sir Joseph Banks

In a good paddock

Magazine article by Dr Sarah Engledow, 2011

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Portrait of Dr Johann Reinhold Forster and his son George Forster
Portrait of Dr Johann Reinhold Forster and his son George Forster
Portrait of Dr Johann Reinhold Forster and his son George Forster
Portrait of Dr Johann Reinhold Forster and his son George Forster

To the end of the earth

Magazine article by Dr Sarah Engledow, 2009

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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