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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Joseph Banks and Dr Solander

1778
an unknown artist (engraver)

engraving on paper (sheet: 20.5 cm x 13.0 cm, plate-mark: 17.6 cm x 11.4 cm)

Daniel Solander (1733–1782), naturalist, was a student of Carl Linnaeus, the Swede who devised and systemised the classification of plants and animals used today. Arriving in London from Sweden in 1760, Solander became a fellow of the Royal Society in 1764 and began cataloguing plants at the British Museum. Not long after, he became known to Joseph Banks, and in 1768 he and Banks together applied to the King to obtain berths on James Cook’s Endeavour. Having barely survived the dysentery that killed many of the Endeavour’s crew, Solander returned to England to be fêted along with Banks for his scientific achievements. When Banks withdrew from Cook’s second voyage, Solander followed suit; the pair went to Iceland and the Western Isles before Solander settled into the role of Banks’s librarian and curator in London. Though he produced some significant treatises – including the first scientific account of the kangaroo – he gained a reputation for partying at the expense of cataloguing specimens. He grew corpulent and became a target for satire, and his scientific achievements went largely unrecognised in his lifetime. The first book–length biography of Solander was published in 1998.

Collection: National Portrait Gallery
Gift of Gina and Ted Gregg 2010

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Sir Joseph Banks KCB (age 35 in 1778)

Daniel Solander (age 45 in 1778)

Subject professions

Science and technology

Donated by

Loretta Pash (40 portraits)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Sir Joseph Banks
Sir Joseph Banks
Sir Joseph Banks
Sir Joseph Banks

In a good paddock

Magazine article by Dr Sarah Engledow, 2011

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Portrait of Dr Johann Reinhold Forster and his son George Forster
Portrait of Dr Johann Reinhold Forster and his son George Forster
Portrait of Dr Johann Reinhold Forster and his son George Forster
Portrait of Dr Johann Reinhold Forster and his son George Forster

To the end of the earth

Magazine article by Dr Sarah Engledow, 2009

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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