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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

William Charles Windeyer, (1850s)

an unknown artist

daguerreotype (case: 15.2 cm x 12.0 cm, image: 14.0 cm x 10.6 cm)

Sir William Charles Windeyer (1834–1897) effected significant social reforms in New South Wales during his forty-year career as a lawyer, politician and Supreme Court judge. The only child of barrister and Hunter Valley settler, Richard Windeyer, and his wife, Maria, Windeyer was one of the first students to graduate from the University of Sydney. He was admitted to the Bar in 1857 and later the same year married Mary Bolton (1837–1912) who, after raising their nine children, established her own profile as a philanthropist and women’s rights campaigner. Influenced in part by the experiences of his mother, who as a widow had retained and managed the family estate, Windeyer too developed a particular interest in women’s rights. This interest was expressed in his (sometimes controversial) judicial compassion for female victims of male violence; in his support for matters such as divorce law reform; and in his introduction of the Married Women’s Property Act (1879), which enabled women to retain control of assets they brought to or earned within a marriage. Windeyer first entered Parliament in June 1859, serving in the Legislative Assembly as the member for Lower Hunter until 1860 and then representing West Sydney and the University of Sydney at different periods until 1879. Retiring from politics after two and a half years as attorney- general, Windeyer was appointed to the bench of the Supreme Court. Windeyer was also a strong supporter of education and throughout his career maintained an association with Sydney University: he was vice- chancellor between 1883 and 1886, chancellor in 1895-96 and a founding chairman of the Women’s College, established in 1891. Windeyer received an honorary doctorate from the University of Cambridge in 1887 and a knighthood in 1891. He retired from the New South Wales Supreme Court in ill health in 1896 and died suddenly the following year, his obituary noting the ‘true heart [that] beat under his rough exterior’ and his genuine concern for those in distress.

Collection: National Portrait Gallery
Gift of the Windeyer family 2009

Accession number: 2009.118

Currently not on display

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Artist and subject

Sir William Windeyer (age 16 in 1850)

Donated by

Jim Windeyer (16 portraits)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Sir William Charles Windeyer, 1892 Tom Roberts
Sir William Charles Windeyer, 1892 Tom Roberts
Sir William Charles Windeyer, 1892 Tom Roberts
Sir William Charles Windeyer, 1892 Tom Roberts

Private virtues public lives

Magazine article by Joanna Gilmour, 2010

Family affections are preserved in a fine selection of intimate portraits.

Thomas Sutcliffe Mort and his wife Theresa, c. 1847 an unknown artist
Thomas Sutcliffe Mort and his wife Theresa, c. 1847 an unknown artist
Thomas Sutcliffe Mort and his wife Theresa, c. 1847 an unknown artist
Thomas Sutcliffe Mort and his wife Theresa, c. 1847 an unknown artist

Husbands and Wives

Photographic Portraits from 19th Century Australia

Previous exhibition, 2010

'I have just been to my dressing case to take a peep at you.

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The National Portrait Gallery
The National Portrait Gallery

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.