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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Marcie Elizabeth Wilson, 1922

George Lambert

pencil on paper (frame: 35.5 cm x 27.0 cm, sight: 55.5 cm x 43.7 cm)

Marcie Elizabeth ‘Betty’ Fairfax (née Wilson, 1907–1995), was a leading figure in fashionable circles in Sydney in the 1920s and 1930s. The daughter of a barrister, Betty made headlines when she married media proprietor Warwick Fairfax in 1928. Their divorce in 1946, and Betty’s subsequent remarriage to a French naval officer, was the subject of heated gossip. During World War 2, Betty ran Air Force House in Sydney, where a team of volunteers provided meals and accommodation for 2000 servicemen each week. She has been described as ‘one of the great beauties of her generation’ who combined flair with wit and kindness. As a prominent socialite and hostess, Betty was connected with the city’s primary tastemakers of the inter-war years. Her portrait, photographed by Harold Cazneaux and styled by Adrian Feint, was featured in the April 1929 issue of The Home. Betty’s two children from her marriage to Warwick Fairfax, Caroline and James, both became art collectors and remarkable patrons of heritage and the arts in Sydney.

Collection: National Portrait Gallery
Gift of the Simpson family in memory of Caroline Simpson OAM 2008
Donated through the Australian Government's Cultural Gifts Program

Accession number: 2008.82

Currently not on display

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Artist and subject

George Lambert (age 49 in 1922)

Marcie Fairfax

Subject professions

Public identity

Donated by

Emily Simpson (6 portraits)

Louise Dobson (6 portraits)

Alice Simpson (6 portraits)

Edward Simpson (6 portraits)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

George Lambert portrait story video: 1 minute
George Lambert portrait story video: 1 minute
George Lambert portrait story video: 1 minute
George Lambert portrait story video: 1 minute

George Lambert

'Self Portrait with Gladioli'

Portrait story

An examination of the life and times of George Lambert through the gesture and pose in his self portrait. 

Self portrait with gladioli, 1922 George Lambert
Self portrait with gladioli, 1922 George Lambert
Self portrait with gladioli, 1922 George Lambert
Self portrait with gladioli, 1922 George Lambert

Money and swat

Magazine article by Andrew Sayers AM, 2007

Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.

Self portrait with gladioli, 1922 George Lambert
Self portrait with gladioli, 1922 George Lambert
Self portrait with gladioli, 1922 George Lambert
Self portrait with gladioli, 1922 George Lambert

Facing Facts

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.