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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

William Ashton, c. 1940s

Max Dupain

gelatin silver photograph on paper (sheet: 30.3 cm x 40.0 cm, image: 30.0 cm x 38.2 cm)

Sir William (Will) Ashton OBE (1881–1963) was the son of James Ashton, who founded Adelaide’s Norwood Art School in 1885 and its Academy of Arts in 1895. Will Ashton studied first under his father, and then in Cornwall and Paris. On his return from Europe he successfully exhibited impressionist style pictures of Parisian street scenes, Dieppe quays and other picturesque landmarks and resorts. Over the course of his career in Australia, London and Paris he achieved consistent success adhering to the same general style and themes. Like Lionel Lindsay, Ashton was a vociferous and influential opponent of the modern art movement in Australia.

Collection: National Portrait Gallery
Gift of Richard King 2008
Donated through the Australian Government's Cultural Gifts Program

Accession number: 2008.28

Currently not on display

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Artist and subject

Max Dupain (age 29 in 1940)

Sir William Ashton OBE (age 59 in 1940)

Subject professions

Visual arts and crafts

Donated by

Richard King (16 portraits)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Sydney Ure Smith, 1948 Max Dupain
Sydney Ure Smith, 1948 Max Dupain
Sydney Ure Smith, 1948 Max Dupain
Sydney Ure Smith, 1948 Max Dupain

Dupain detective

Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.

Hélène Kirsova in Petrouchka, 1936-37 Max Dupain
Hélène Kirsova in Petrouchka, 1936-37 Max Dupain
Hélène Kirsova in Petrouchka, 1936-37 Max Dupain
Hélène Kirsova in Petrouchka, 1936-37 Max Dupain

Vintage Max

Magazine article by Gael Newton, 2003

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.