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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Gordon Andrews at Lovett Bay NSW

1996
Anthony Browell

type C photograph on paper (sheet: 40.3 cm x 30.3 cm, image: 30.9 cm x 25.1 cm)

Gordon Andrews (1914-2001) was one of Australia's foremost industrial designers. Working in Britain and Italy as well as Australia, in 1955 he became the first Australian designer to be elected as a Fellow of the UK Society of Industrial Artists and Designers; later he gained membership of the Faculty of Royal Designers for Industry and the Alliance Graphique Internationale. In the early 1960s Andrews designed the interiors for the Australian Pavilion of the Comptoire Suisse trade fair, the New South Wales Government Tourist Bureau, Sydney and the New Zealand Government Tourist Bureau. In 1963 he was invited to submit designs for Australia's new decimal currency notes. The selection committee voted unanimously for Andrews's designs, and on February 14, 1966 his $1, $2, $10 and $20 notes entered circulation. Shortly before their issue, it had been decided that a $5 note would be required too - Andrews was engaged to design it, and also the $50 note when the need for it subsequently arose. When the present-day polymer plastic notes began to replace paper ones in 1992, Andrews served on the advisory panel that oversaw their design. The retrospective exhibition Gordon Andrews: a designer's life, reflecting the breadth of Andrews's involvement in design, was held at the Powerhouse Museum in 1993. Andrews's own monograph Gordon Andrews: A designer's life, was published the same year. Both the book and the exhibition drew predominantly on the extensive Gordon Andrews design archives, acquired by the Powerhouse Museum before bush fires destroyed his home at Lovett Bay, near Sydney's Church Point, in January 1994.

Collection: National Portrait Gallery
Gift of the artist 2005
© Anthony Browell

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Anthony Browell (age 51 in 1996)

Gordon Andrews (age 82 in 1996)

Subject professions

Architecture, design and fashion

Donated by

Anthony Browell (2 portraits)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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