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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self portrait, c. 1911

Frank Hurley

gelatin silver photograph on paper (sheet: 25.4 cm x 15.2 cm, image: 19.8 cm x 12.7 cm)

Frank Hurley OBE (1885–1962), photographer, cinematographer and adventurer, made his name with the images and footage he took during the Australasian Antarctic Expedition (AAE) of 1911–14. Hurley became interested in photography as a teenager, acquiring his first camera at seventeen and a job with a Sydney postcard company before he turned twenty. He was twenty-five when he persuaded Douglas Mawson to take him on as the official photographer for the AAE (the British photographer, Herbert Ponting, had been Mawson’s first choice). Working in extreme conditions, Hurley took numerous photographs and the footage that was later released as the documentary Home of the Blizzard (1913). Hurley was also the official photographer for Ernest Shackleton’s ill-fated British Trans-Antarctic Expedition of 1914–1917, during which he created the celebrated photographs of the expedition ship Endurance being slowly crushed in the polar ice. Hurley served as an official photographer during World War I, earning a reputation among the troops as ‘the mad photographer’ for the risks he took to get the perfect shot. His many photographs of battlefields in Belgium and France are now considered iconic, but were the cause of conflict with Australia’s official war historian, Charles Bean, who rejected Hurley’s method of forming single images from a composite of negatives. Hurley had great flair for showmanship and spent much of the period after the war presenting illustrated lectures and exhibitions of his photographs, making popular documentary and fiction films, and working for the newsreel company, Cinesound. Hurley made his third trip to Antarctica, again with Mawson, in the British, Australian and New Zealand Antarctic Research Expedition (BANZARE) of 1929–31, producing two films – Southward Ho! with Mawson and Siege of the South – as a result. He served with the AIF in the Middle East in World War II. In addition to his famous wartime and Antarctic work, Hurley’s career produced several documentaries and travelogues; two feature films; and numerous books about Australia and his travels.

Collection: National Portrait Gallery
Purchased 2005

Accession number: 2005.103

Currently not on display

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Artist and subject

Frank Hurley (age 26 in 1911)

Related portraits

1. Eric Douglas, c. 1929-1931. All Frank Hurley.

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The Companion

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On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Sir Douglas Mawson, c. 1916 Thomson Studios
Sir Douglas Mawson, c. 1916 Thomson Studios
Sir Douglas Mawson, c. 1916 Thomson Studios
Sir Douglas Mawson, c. 1916 Thomson Studios

Staying home

True south #2

About Face article

14 July 2020

Joanna Gilmour brings a mindful Douglas Mawson’s perspective to bear on the concept of isolation.

Self portrait, c. 1911 Frank Hurley
Self portrait, c. 1911 Frank Hurley
Self portrait, c. 1911 Frank Hurley
Self portrait, c. 1911 Frank Hurley

Of ice and men

Magazine article by Joanna Gilmour, 2009

Frank Hurley's celebrated images document the heroism and minutiae of Australian exploration in Antarctica.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.