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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Patricia 'Bambi' Tuckwell (Shmith)

c. 1952
Max Dupain OBE

gelatin silver photograph on paper (38.0 cm x 29.7 cm)
Patricia 'Bambi' Tuckwell (Shmith)

Patricia 'Bambi' Tuckwell (1926-2018) was a leading Australian fashion model as well as a promising violinist. In the 1950s she married fashion photographer Athol Shmith, but in the 1960s she moved to England to marry the Queen's cousin, English National Opera Director Lord Harewood. The couple lived at Harewood House, a magnificent mansion near Leeds, Yorkshire, where the Countess regularly organised seasons of world-class musical performances. Lord Harewood directed a number of Edinburgh Festivals before coming to Australia to direct the Adelaide festival in 1988.

Collection: National Portrait Gallery
Purchased with funds provided by Timothy Fairfax AC 2003

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.
2003.37
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Artist and subject

Max Dupain OBE (age 41 in 1952)

Bambi Tuckwell (age 26 in 1952)

Subject professions

Media and communications

Supported by

Tim Fairfax AC (53 portraits supported)

Related portraits
(View all 97)

The photographer's shadow (Olive Cotton and Max Dupain)
Max Dupain, Artamon, Sydney
David Moore, Max Dupain and John Gollings
The Reverend Ralph Sutton
1. The photographer's shadow (Olive Cotton and Max Dupain), c. 1935 (printed 1999) Olive Cotton. 2. Max Dupain, Artamon, Sydney, 1979 (printed 2000) David Moore. © Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/. 3. David Moore, Max Dupain and John Gollings, 1980 Kate Gollings. © Estate of Kate Gollings. 4. The Reverend Ralph Sutton, 1935 Max Dupain OBE.

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.
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Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.
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Vintage Max

Magazine article by Gael Newton, 2003

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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