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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Francis Lymburner

c. 1946
Max Dupain OBE

gelatin silver photograph on paper (sheet: 30.4 cm x 24.9 cm, image: 30.4 cm x 22.6 cm)

Francis Lymburner (1916-1972) was a Queensland-born artist. Just before the war he moved to Sydney, where he haunted Taronga Park Zoo, making a great number of drawings of animals. In his early twenties he contributed illustrations to the Home. In 1948, its publisher Sydney Ure Smith recognised his talent for drawing animals and published a book of his work, after which he achieved some success in Sydney. Throughout the 1950s he travelled and studied in Europe and the UK, living in England from 1952 to 1964, drawing in theatres, zoos and parks. He came back to Australia keen to exhibit, and Ure Smith published another volume of his drawings and paintings in 1965. However, the following year he suffered a cerebral haemorrhage, and never painted again. His work is held by most major Australian galleries.

Collection: National Portrait Gallery
Purchased with funds provided by Timothy Fairfax AC 2003

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Max Dupain OBE (age 35 in 1946)

Francis Lymburner (age 30 in 1946)

Subject professions

Visual arts and crafts

Supported by

Tim Fairfax AC (53 portraits supported)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Sydney Ure Smith
Sydney Ure Smith
Sydney Ure Smith
Sydney Ure Smith

Dupain detective

Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.

Hélène Kirsova in Petrouchka
Hélène Kirsova in Petrouchka
Hélène Kirsova in Petrouchka
Hélène Kirsova in Petrouchka

Vintage Max

Magazine article by Gael Newton, 2003

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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