Skip to main content

The National Portrait Gallery is temporarily closed to the public until further notice.

Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

George Judah Cohen

1925
George Lambert

oil on canvas (frame: 147.0 cm x 122.5 cm, support: 125.5 cm x 101.5 cm)

George Judah Cohen (1842–1937), banker, grew up in Sydney and attended university in London before taking over the Maitland office of his father’s wholesale firm, David Cohen and Co., when he was just twenty-three. Returning to Sydney with a reputation as a financial expert, he joined the board of the Commercial Banking Company in 1885. After steering the company through the financial crises of the 1890s, he became its chairman of directors in 1901. He held this position for thirty-two years, during the last of which the bank weathered the Depression. From the late 1880s to the early 1930s, Cohen was also chairman of many other companies, including Australian Gas Light, United Insurance, Tooth and Co. and the Sydney Exchange. He and his wife Rebecca Levy amassed a significant collection of antiques and European paintings in their home, Engadine, in Onslow Avenue, Potts Point. He was a liberal, yet low-key, supporter of various charities, president of the Board of Management of the Great Synagogue for some fifteen years, and a lifelong advocate for the Jewish community.

George Lambert (1873-1930) painted George Judah Cohen on commission from the Commercial Banking Company, and entered the portrait in the Archibald Prize of 1925. Although it did not win, many commentators, notably Sydney Ure Smith (making a public statement on behalf of the Society of Artists) thought it ‘immeasurably the best’ entry and preferred it to the winner, John Longstaff’s portrait of a visiting Russian actor, Maurice Moscovich. Lambert won the Archibald Prize two years later with his portrait of Mrs Annie Murdoch.

Collection: National Portrait Gallery
Gift of the National Australia Bank 2002

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

George Lambert (age 52 in 1925)

George Judah Cohen (age 83 in 1925)

Subject professions

Business, trades and industry

Donated by

National Australia Bank (1 portrait)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Dame Mabel Brookes
Dame Mabel Brookes
Dame Mabel Brookes
Dame Mabel Brookes

The hands have it

Magazine article by Angus Trumble, 2016

Angus Trumble treats the gallery’s collection with a dab hand.

George Lambert

'Self Portrait with Gladioli'

Portrait story

An examination of the life and times of George Lambert through the gesture and pose in his self portrait. 

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency