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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Philip Noyce on the set of 'Heatwave', Sydney

1981 (printed 2000)
David Moore

gelatin silver photograph on paper (42.5 cm x 28.5 cm)

Phillip Noyce (b. 1950), director, was part of the first student intake at the Australian Film and Television School in 1973. As a student he became known for his outspoken short films. His first full-length film was the 16mm Backroads (1977), an indictment of Australia's treatment of Aboriginals made in collaboration with the activist Gary Foley. Newsfront (1978), Noyce's first 35mm feature, won an AFI for best picture. His follow-up films included Heatwave (1982) and Dead Calm (1989), which alerted Hollywood to the talents of Noyce and his young star, Nicole Kidman. Relocating to the U.S., Noyce directed such movies as the Harrison Ford thrillers Patriot Games (1992) and Clear and Present Danger (1994); the Sharon Stone vehicle Sliver (1993); The Saint (1997) and The Bone Collector (1999). In 2001 he returned to Australia to re-engage with Aboriginal issues in Rabbit-Proof Fence (2001), which won him another best picture AFI. The Quiet American (2002) followed. Noyce currently has two films and two television series in the pipeline.

Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
© Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/

Artist and subject

David Moore (age 54 in 1981)

Phillip Noyce (age 31 in 1981)

Subject professions

Performing arts

Supported by

Tim Fairfax AC (53 portraits supported)

The Gordon Darling Foundation (36 portraits supported)

Related information

Little faces

10:30am, Wed 26 May – Fri 25 Jun

Little faces is for babies and toddlers (with their grown up) to play, sing and have fun discovering a portrait together.

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

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Fax +61 2 6102 7001
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency