Skip to main content
Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Phillip Noyce

2002 (printed 2004)
Karin Catt

type C photograph on paper (sheet: 50.6 cm x 50.5 cm, image: 48.5 cm x 47.5 cm)

Phillip Noyce (b. 1950), director, was part of the first student intake at the Australian Film and Television School in 1973. As a student he became known for his outspoken short films. His first full-length film was the 16mm Backroads (1977), an indictment of Australia's treatment of Aboriginals made in collaboration with the activist Gary Foley. Newsfront (1978), Noyce's first 35mm feature, won an AFI for best picture. His follow-up films included Heatwave (1982) and Dead Calm (1989), which alerted Hollywood to the talents of Noyce and his young star, Nicole Kidman. Relocating to the U.S., Noyce directed such movies as the Harrison Ford thrillers Patriot Games (1992) and Clear and Present Danger (1994); the Sharon Stone vehicle Sliver (1993); The Saint (1997) and The Bone Collector (1999). In 2001 he returned to Australia to re-engage with Aboriginal issues in Rabbit-Proof Fence (2001), which won him another best picture AFI. The Quiet American (2002) followed. Noyce currently has two films and two television series in the pipeline.

Collection: National Portrait Gallery
Purchased 2005
© Karin Catt

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Karin Catt

Phillip Noyce (age 52 in 2002)

Subject professions

Performing arts

© National Portrait Gallery 2022
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency