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Beatrice (Bee) Miles (1902-1973) ranks alongside the 'Eternity man' as one of Sydney's best-remembered street identities. Educated at a private girls' school and the University of Sydney, from the age of 38 she had no fixed address and was notable for her anarchic conduct in public places, although she did carry a board advertising her willingness to stand and recite Shakespeare for a fee. She loved tram and taxi travel, though she rarely paid, and often hurled herself at vehicles refusing to carry her. As a consequence, she was routinely assaulted by cab drivers. She lived by a number of well-documented maxims, and remained a wayward wit into her impoverished and infirm old age.
Roderick Shaw was a Sydney social-realist painter and printer of quality books. After the war he helped to end the censorship of four letter words in Australia, by publishing the banned report of the trial of Penguin books over D.H. Lawrence's Lady Chatterley's Lover. Shaw was a foundation member of Artists for Democracy and of Artists Against Nuclear War.
Collection: National Portrait Gallery
Gift of Brian Griffin 2000
© Estate of Rod Shaw
Brian Griffin (1 portrait)
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.
An exploration of Bee Miles' defining characteristic.
Michael Desmond explores what makes a portrait subject significant.