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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

John Perceval painting 'Veronica and the Conspirators'

1967
Mark Strizic

type C photograph on paper (sheet: 60.0 cm x 50.0 cm, image: 40.5 cm x 40.5 cm)

John Perceval (1923-2000), painter and ceramicist, helped Arthur Boyd to re-establish the Murrumbeena family pottery during the 1940s. Through this dynamic association, Perceval became the youngest member of the Angry Penguins, an avant-garde circle of Melbourne painters. Perceval's painting is characterised by an exuberant use of colour and vigorous application of paint.

The Perceval painting shown in this photograph transposes and manipulates the nightmarish Christ Carrying the Cross by the 15th-16th century painter Hieronymus Bosch.

Collection: National Portrait Gallery
Purchased 1999
© Estate of Mark Strizic

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Mark Strizic (age 39 in 1967)

John Perceval AO (age 44 in 1967)

Subject professions

Visual arts and crafts

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Mark McManus as Will by Mark Strizic
Mark McManus as Will by Mark Strizic
Mark McManus as Will by Mark Strizic
Mark McManus as Will by Mark Strizic

In and out of focus

Magazine article by Gael Newton, 2017

Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.

Kate Hattam
Kate Hattam
Kate Hattam
Kate Hattam

Melbourne experience

Magazine article by Diana Warnes, 2007

Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.

© National Portrait Gallery 2021
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency