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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Emerging realities

by Helena Bezzina, 1 March 2008

At the end of 2007 the National Portrait Gallery launched the inaugural National Youth Self Portrait Prize and artists aged between eighteen and twenty-five were invited to submit self portraits using a variety of media including drawing, painting, printmaking and traditional or digital photography.

Awkward self
Awkward self

With the support of the Tallis Foundation and the Association of Australian Decorative and Fine Arts Societies, the Gallery offered a $10 000 prize for the most outstanding entry.

Self portraiture is a particularity appropriate genre for young people. They actively negotiate issues of their emergent identity in a preoccupied and sometimes obsessive way. A visit to MySpace, Facebook, YouTube and Second Life on the web makes it clear that a preoccupation with identity is normal for this age group and that they are actively engaged in a digitaldialectic, prolifically constructing images of how they perceive themselves to be, or how they would like to be perceived.

The response to the National Youth Self Portrait Prize, however, indicates that the power of more traditional forms of self portraiture remains strong with this age group and they readily engage in the artist’s examination of questions of identity through self-image. The collection of entries received provides fascinating insights into the world of this age group. While the self portraiture submitted may appear at first to be highly individual, a closer examination of the works as a group offers a commentary on current societal pressures and influences. Common themes include body image, the impact of media on forming identity, cultural representation and metaphorical depictions.

Some entrants were more concerned with masteringtheir chosen medium to achieve a likeness, while others delved deep into their state of mind to render a specific emotion or mood. Several entrants commented on the ordinary, mundane aspects of life, representing themselves enacting their everyday reality. All of these approaches make for a wonderful selection of works from this young adult demographic.

5 portraits

1 Self portrait. 2 Untitled. 3 My spitting image. 4 Brother and sister.

Related information

Awkward self, 2008 by Jessica Herrington
NYSPP 2008 winner
Awkward self, 2008 by Jessica Herrington
NYSPP 2008 winner
Awkward self, 2008 by Jessica Herrington
NYSPP 2008 winner
Awkward self, 2008 by Jessica Herrington
NYSPP 2008 winner

National Youth Self Portrait Prize

NYSPP 2008

Previous exhibition, 2008

At the end of 2007 the National Portrait Gallery launched the inaugural National Youth Self Portrait Prize and artists aged between eighteen and twenty-five were invited to submit self portraits using a variety of media including drawing, painting, printmaking and traditional or digital photography.

Portrait 27, March - May 2008

Magazine

This issue of Portrait Magazine feature Lucian Frued, John Witzig, colonial death portraits, William Kinghorne, Henry Crock, and more.

Charlie as he was, 2007
Charlie as he was, 2007
Charlie as he was, 2007
Charlie as he was, 2007

I'm not there

Magazine article by Dr Christopher Chapman

Christopher Chapman looks at some contemporary portraits that explore the construction of identity.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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